Task: For the prologue of a fantasy game on Steam, I was tasked with illustrating the history of the High Elf clans and the Maan, who revolted against the tyranny of certain High Elf clans. This involves depicting the clan history in the form of illustrations found in ancient books.

The illustration is crafted based on the description provided by my client.

"High Elves bring down the Monolith of Truth from the peak of Mount Destiny. It should evoke the imagery of Moses bringing down the Ten Commandments as if the holy elves have gathered a black stone tablet containing sacred laws. The High Elves lowered the Monolith from Heaven, and now they will build an entire civilization around its laws."

This is the first of five illustrations for this project.

Task: For the prologue of a fantasy game on Steam, I was tasked with illustrating the history of the High Elf clans and the Maan, who revolted against the tyranny of certain High Elf clans. This involves depicting the clan history in the form of illustrations found in ancient books.

The illustration is crafted based on the description provided by my client.

"The High Elves split into two factions, the Song Alliance and the New Empire. The Song Alliance Elf should look holy and pious, while the Imperial Elves should look worldly and corrupt. The Song Elf is pointing away at the Imperial Elf, banishing him from the realm for his sins. The Song Elf should look pious, but arrogant, while the Imperial Elf should look both ashamed but bitter."

This is the second of five illustrations for this project.

Task: For the prologue of a fantasy game on Steam, I was tasked with illustrating the history of the High Elf clans and the Maan, who revolted against the tyranny of certain High Elf clans. This involves depicting the clan history in the form of illustrations found in ancient books.

The illustration is crafted based on the description provided by my client.

"Imperial Elves succumb to corruption on the Asahi Isle. The Dark Prince Erizlo, a corrupted Imperial Elf with a drowish appearance, commands a legion of Orcs under his dark influence. His tyrannical rule envelops the Asahi Isle in fear and violence, subjecting the local Maan population to enslavement."

This is the third of five illustrations for this project.

Task: For the prologue of a fantasy game on Steam, I was tasked with illustrating the history of the High Elf clans and the Maan, who revolted against the tyranny of certain High Elf clans. This involves depicting the clan history in the form of illustrations found in ancient books.

The illustration is crafted based on the description provided by my client.

"Resisting the Dark Prince, the Maan take up arms. Veniczar Arcadius, resembling Darth Vader in full Shogun armor, defeats the Dark Prince in a climactic battle. A fierce conflict ensues between the Maan, adorned in samurai and ashigaru armor, and the Orcs. Veniczar Arcadius raises his katana to deliver the final blow to the Dark Prince."

This is the fourth of five illustrations for this project.

Task: For the prologue of a fantasy game on Steam, I was tasked with illustrating the history of the High Elf clans and the Maan, who revolted against the tyranny of certain High Elf clans. This involves depicting the clan history in the form of illustrations found in ancient books.

The illustration is crafted based on the description provided by my client.

"Having united the Maan under his banner, Veniczar Arcadius surveys a vast harbor where his soldiers construct the skeletons of a colossal fleet. In the distance, Halla prepares for a new war against the remaining elves of the Song Alliance. Beside Veniczar Arcadius stands a mysterious hooded witch, her face concealed by the hood, observing the inception of the Crimson Fleet."

This is the fifth of five illustrations for this project.

Objective:  The task involved creating designs for six distinct card templates for a card game with a steampunk aesthetic, drawing inspiration from renowned games like Magic the Gathering.

The game encompasses six card types: Murder, Target, Steal, In Your Sights, and Character cards. Following the client's preferences, the design process incorporated six unique colors (light gray, dark gray, red, yellow, blue, green) assigned to each card type.

Furthermore, I meticulously selected an appropriate font, allocated dedicated spaces for titles, descriptions of card effects, and handled all other elements essential to card design. This comprehensive approach ensures that my client can utilize these templates seamlessly for generating new cards, each with distinct text descriptions, names, and illustrations.

Additionally, I presented one character as an example, illustrating how characters corresponding to the six card types will appear. In the actual game, these characters will be diverse.

Each card measures 3.5 x 2.5 inches.

I had to draw an illustration for a deck of inspirational fantasy cards. Dimensions: ‎ 4.25 x 6.25 inches. The phrase that should be on the card sounds like this: The world is full of magic things patiently waiting for our senses to grow sharper. It was decided to draw a magical deer in a magical forest that opens up to the eyes of the seer.

My client approached me with this task.
For his Jurassic Park board game, I had to design and draw the following:
1. Design the Player Card layout. This means that it was necessary to come up with the appearance, design, draw and place the icons of the player's abilities, draw a portrait of the character, and so on.
2. Design 4 dinosaur cards, including illustrations for the front and back of the dinosaur cards.
Here on the left are card backs with illustrations for all 4 types of dinosaur cards. They are divided into 4 types. At the top are the most dangerous for the player (black backside), below the safest for the player (green backside).
On the left, there are 4 card faces with icons (carnivore predator, herbivore), (big dinosaur, small dinosaur), (dinosaur pack, one dinosaur) and so on. It was necessary to place this on the Player Card, add the names of dinosaurs, and their level of danger expressed in numerical value, and draw and place game dice of different colors in the right corner of the card.
4. It was necessary to design the front and back of the Daytime Event and Nighttime Event decks.
5. It was necessary to design the front and back of the card layout for the Encounter deck. This was to include an illustration from the front of the card that would serve as a background for the various text that would be placed on 15 or more cards. I also needed to draw an illustration for the back of the card.
6. I also drew an illustration for a general background for dinosaur cards and one illustration for a Raptor pack for dinosaur cards.

Here you can see these examples of my work that I show as a set.

The map of Myrona, a territory for a series of fantasy books.

Objective: To create a map for the Myrona region, which serves as the setting for a fantasy book series. The territory is home to a diverse population that includes elves, gods, other mythical creatures, and humans. The map showcases the varying climatic zones present in the region, ranging from the icy north to the balmy south. Furthermore, the territory is segmented into different kingdoms and other areas, some of which offer safety while others pose mortal dangers.

The map was designed in a generous scale, measuring approximately 80 cm on one side. It was exhibited at the author's stand at the Gothenburg Book Fair in Sweden and is also part of a limited edition book series available in a smaller size.

Assignment: It was necessary to design cards and draw everything else for the board game The Mystic Mountain. This included drawing illustrations for cards, icon design, creating a logo, and everything else.

Here is a set of 24 Virtues cards, which are divided into 4 elements - Water, Fire, Air, and Earth. The cards here are shown at 50% of their actual size.

The game is called The Mystic Mountain. It is a mystical board game inspired by spirituality, mysticism.

Here the author of the game shares the details of the creation of the game. https://vocal.media/gamers/the-mystic-mountain

Work on the game continues, this is only part of the game.
The development of the game was carried out in close cooperation with the author, so as not to miss anything and reflect the author's view of how it should look.

Task: It was necessary to create a box template for 24 cards of the board game "The Mystic Mountain".

In the center is the symbol of the White Flame, which is used in the game.

When creating the design, this option was chosen with a predominance of brown, gold, sand, as this should send the player or viewer to the theme of antiquity, the desert, spiritual purity, secret knowledge, still hidden. Also, it was not supposed to resemble the design of previously created maps in terms of color scheme.

Earlier, I designed the cards and drew illustrations for 24 cards. This set can be viewed here.

Shown here is the design of the box without the bleeds that need to be included in the template. That is, now the viewer sees the box as it will come out after the printing press. In fact, a slightly different version is being made for printing, namely, including bleeds (an additional part of the box of size 6-8 mm) along the border of the box. Here the bleeds are simply hidden.

Assignment: A map was commissioned for the fantasy novel series set in the world of Myrona, showcasing the regions described in the first two books.

The map is meticulously created in a black-and-white line art style.

This map will be provided to purchasers of the second book as an insert that comes with the book.

This is a set of 16 stickers featuring characters for meeples (game pieces) used in the board game Ark Nova. These stickers are meant to be applied to the meeples to provide additional visual variety beyond the standard, plain game pieces.

The game features four teams of zoo employees, each with unique tasks such as contract negotiation and zoo management. The appearance of each team's costume is solely for the purpose of visually distinguishing them from other teams. In the game, all teams (red, yellow, black, and blue) have the same functions, and their costumes do not confer any advantages or highlight their strengths or weaknesses.

The meeples in the game have a size of 15x16 mm. The stickers shown in the images are larger than the actual size used in the game.

My client approached me with this task. For a card game, I had to draw a series of humorous card illustrations with fairy tale fantasy characters in a harsh modern world. That is, in the world where we all live. I suggested doing it in such a fun style. Since my client was on a budget and wanted to test this idea first, I did it in a sketchy style as it's pretty easy for me. I drew each illustration from an hour to two hours to ensure we stayed within my client's budget. Here is a set of illustrations in a reduced form.

 I was tasked with designing cards and icons for a dark fantasy-themed card game. Two versions of the card designs are presented here: one for Item Cards and the other for Event Cards. The Item Cards feature attack and health stats, as well as the card level displayed at the top, and were designed with corresponding icons. The Event Cards, on the other hand, do not have icons but all necessary information is conveyed through text on the card.

In addition to the card designs, I also created a series of illustrations for this card game, which are showcased in my portfolio. With my designs, I aimed to create a captivating and immersive game experience that would appeal to fans of dark fantasy.

Task: The task was to create a set of illustrations for a dark fantasy-themed card game deck. The set features illustrations of cards with varying values, ranging from common to rare to epic.

The illustrations depict various scenes, including undead necromancers conducting experiments with Ethereum in a library, spiders crawling on the library's ceiling, a thief stealing a book, a guard stationed at the library's entrance, and several other elements, such as Ethereum and Bitcoin coins and statuettes.

In addition to the illustrations, I also designed the Item and Event Cards for the game, which are also included in my portfolio.

Task: The task was to create a design for cards in a fantasy card game.

The cards were required to have frames of varying colors indicating their value.

 Task: Create an illustration for a science fiction novel set on different planets. The illustration should depict a scene where one of the main characters viciously eliminates an assassin sent to kill him. In this post-apocalyptic world, remnants of advanced technology coexist with the harsh realities of survival.

Tasked with illustrating a series of fantastical worlds, this image depicts one of the cities on a planet with a desert climate. The city is situated in the midst of a barren landscape and serves as a hub where merchants and travelers congregate. Surrounding the city is a wall intended to protect it from the harsh winds, while within the city there are water extraction stations. Above the main gate, it is customary to display the severed heads of criminals, underscoring the brutal and savage nature of this world. In the foreground, we see two brothers with their pet and draft animal, pulling a cart as they head towards the city.

The image is presented in a reduced size.

 The task was to create an illustration for a magazine cover about dreamers featuring a giant monster known as the Wounding One. The Wounding One, blind and wearing a bandage over its eyes, wields a huge cleaver while inside a massive temple. Dreamers run in terror from it as the Wounding One kills and mutilates them with its cleaver, inspiring horror and disgust. The only way to escape the Wounding One is to not follow the other dreamers and run in the opposite direction.

I had to draw concept art of the Ogre character. This is an image for the game, illustrating the character that the player will meet on the way.

Brief: The task was to create a series of black and white illustrations that convey the story of the origin of ice wine. The story takes place in ancient Rome, in what is now modern-day France. It begins with a hungry lone wolf arriving at a farm, where the peasant allows it to take a bunch of grapes from the vine. As time passes, the farm is attacked by Gallic barbarians, but the wolf and his pack come to the farmer's aid and drive away the group of warriors. As a reward for their help, the farmer leaves part of the unpicked grapes on the vine until winter. When winter comes, the wolves return and eat the grapes left by the farmer. The farmer then decides to make wine from the remaining grapes, and it turns out to be excellent. Such is the story of the origin of ice wine.

The illustrations are sketched in a unique style, with a size of 2000x600 pixels. They are presented here in a smaller size. 

For the metal music website, dedicated to metal music, I created a series of landscapes that represent the different moods of metal music styles. For example, the red infernal landscape at the bottom represents the death metal style and so on.

I also created icons for the same representation of metal music styles for this website. Different metal music styles are represented by different types of skulls. That is, the skulls represent the main metal music styles, and the environment illustrations symbolize the mood of these main music styles.

Expressive skull icons for the main metal music styles are also included in my portfolio.

Task: The task involved creating illustrations for a dark fantasy-themed card game.

This comprehensive set showcases a range of illustrations for cards, each with a different in-game value, spanning from low-cost to high-value. The three card categories featured from left to right are common cards, rare cards, and epic cards.

The illustrations bring to life various scenes, including necromancers in a library, undead creatures engaged in Etherium experiments, imagery featuring Ethereum and Bitcoin coins, the Library Keeper, eerie spiders adorning the library's ceiling, a nimble-fingered thief stealthily pilfering a magic book, a vigilant guardian stationed at the library's entrance, ornate figurines, and more.

Additionally, I've undertaken the design of two distinct card types for this game, and you can explore them further within my portfolio.

Task: The task was to create 9 icons for a metal music website, each representing a different sub-genre of metal such as gothic metal, doom metal, heavy metal, and more. The chosen theme for the icons was skulls, which were incorporated in various ways to depict the different sub-genres.

Description: This artwork was commissioned for a card in the "Ashentaron: Rebirth" card game. The illustration portrays an undead warrior clad in armor, impaling a fellow figure in armor with a sword while siphoning their life force.

Task: To create a Main menu screen and Game App Icon for a medieval-themed game, the objective was to illustrate a knight. The artwork portrays a fully armored knight wielding a two-handed sword amidst the chaos of battle.

Task: This illustration is part of a book in which I needed to portray Damien's initial awakening of magical abilities. Damien is an elf who is holding a human.

In the book's storyline, he holds a tall man against a wall with one hand. He possesses a unique gaze described in the book as gray tendrils of mist, through which he can manipulate the minds of individuals.

Task: Create a character from a fantasy novel - a young night elf named Damien. In this illustration, he is portrayed as a child. According to the book's storyline, night elves lived on the southern islands and wore clothing that aided in their camouflage. The boy sits by the shore, lost in thought, playing in the sand.

Objective: The task involved creating a set of characters for a fantasy novel. Among them is Maicie, a young woman whose captivating presence graces the pages of the narrative.

Objective: The task involved creating a set of characters for a fantasy novel. Among them is Nila, a captivating young woman whose presence enriches the fantastical narrative.

Objective: The task involved creating a set of characters for a fantasy novel. Among them is Alex, a young and intriguing individual, the twin brother of Nila.

Objective: The task involved creating a set of characters for a fantasy novel. Among them is Hevania, a dark-skinned woman with an intriguing presence.

Objective: The task involved creating a set of characters for a fantasy novel. Among them is Damien, a young elf with captivating qualities.

Objective: The task involved creating a set of characters for a fantasy novel. Dedrick is one of the antagonistic figures, described in the novel as "laughably absurd."

Objective: The task involved developing a concept for one of the characters that would convey his emotions. Damien grapples with a profound sense of isolation stemming from his extraordinary abilities. He perceives these abilities as alienating him from others and numbing his feelings.

Task: The task was to create a set of illustrations in the dark fantasy style for a tabletop collectible card game (CCG).

Task: The objective was to create the visual elements for both the front and back sides of the cards, encompassing faction logos, icon development, and additional features for the card game "Ashentaron: Revival."

The game boasts nine distinct factions, consequently featuring nine decks corresponding to these factions. In this set, they are meticulously displayed from top to bottom, commencing with the Death deck. These include the Death faction deck, the Life faction deck, the Nature faction deck, the Neutrals faction deck, the Events deck, the Order faction deck, the Earth deck, the Technology faction deck, and the Chaos faction deck.

The back sides of the cards for all nine decks are prominently showcased in the leftmost column (observably from top to bottom, commencing with the Death deck).

Furthermore, I have meticulously created nine distinct card designs, each adorned with faction logos, prominently showcased on both the front and back sides of the cards. Additionally, I have designed icons for the front sides of the cards, all thoughtfully presented in the first, second, and third columns.

In the leftmost section of the second column, the front sides of the cards are showcased, featuring a substantial amount of textual description. For these, a bespoke design was implemented wherein the text seamlessly occupies all available space, extending down to the very bottom edge of each card.

Conversely, in the leftmost section of the third column, the front sides of the cards are presented, featuring a more minimal amount of textual description. For such cards, a distinct design was implemented, strategically placing the text in the upper area of the text field.

Additionally, I have meticulously illustrated components for the Death deck and game tokens. These too are eloquently presented within this portfolio.

Each card measures 63x88 mm in size.

The first version of the game has already been released.

Task: The assignment was to create illustrations, user interfaces, icons, and covers (accessible via the provided link) for a tabletop collectible card game (CCG) set in a fantasy genre.

For additional information on interface design, icons, and cover art, please refer to the following link:

https://jokermask.ru/categories/view#!portfolio_item_119

The game is titled "Ashentaron: Revival". The Death deck is showcased here, with interfaces, icons, and covers available for other decks through the provided link.

The illustrations depict various elements, including a necromancer mage, zombies, a sinister reaper, a vial of souls, feasting on the deceased, gravedigger's tools, a somber veil, a vampire crossbow, drought, infected soil, and more.

Each card measures 63x88 mm.

The task was to create gaming tokens for squads, faction tokens, and tokens for altering the attributes of in-game creatures for the tabletop collectible card game "Ashentaron: Revival"

In the context of a dark fantasy collectible card game (CCG), the task was to create game cards. This particular card is titled "Resurrection of the Undead."

This is one of the illustrations I created for a fantasy-themed card game a few years ago. It features a nighttime landscape with ancient crypts and gravestones.

Task: In creating a handwritten gift book in the fantasy genre, there was a need to produce a series of A4-sized illustrations to complement the book's narrative. Presented here is one of those illustrations, created in a line art style.

Task: The task was to create a set of illustrations in the dark fantasy style for a tabletop collectible card game (CCG).

The game is called "Ashentaron: Revival".

The illustrations are for the Death deck and feature various characters and items such as a necromancer, zombies, a grim reaper, a vial of souls, haruspex tools, a vampire crossbow, a drought, and infected soil.

Each card measures 63x88 mm.

Task: The task was to create a game board for the board game "Seven Desires" that explores the concept of karma. The game board is composed of five planes of existence, namely the world of animals, demons, humans, angels, and gods. The players move across these planes by fulfilling specific game conditions, with the number of red desire stones required to ascend to the next level displayed on the right-hand side.

This is a partial representation of the project, which also includes the design of cards, card backs, and the box layout.

Task: The project required creating two decks of cards and back designs for the board game "Seven Desires" centered around karma.

The two decks include the Deck of Desires (presented on top) and the Deck of Relationships (below). The design of both card backs and actual cards is showcased, featuring five cards as an example. However, each deck will have more cards, with 12 in one and 18 in the other.

In addition to illustrations, icons were created, and the design for both decks was developed.

Moreover, a game board and box wraps were designed, and they are also displayed in the portfolio.

 Task: The task was to create a box design for the "Seven Desires" board game about karma. The design includes both the top and bottom parts of the box. Due to budget constraints, the game board I had previously designed was used as an illustration for the box. To ensure that the game board fits perfectly on the box, I had to slightly expand it.

All the elements of this project, including the game board, cards, card backs, and box design, are included in my portfolio.

Assignment: Design a 25x40 cm poster featuring an enchanting love story between two hedgehogs - a mithril elf boy with a bow and a mother-of-pearl girl, set in a magical, mysterious forest. The style is whimsical fantasy. Here's a reduced-size preview of the illustration.

Task: The assignment involved designing a game level for a fox-themed game, including the creation of the fox character, animation implementation (animations are available in the portfolio), and the design of various game elements such as stone spikes, a save lamp, platforms in different sizes, and a background for the location.

This dungeon level represents the darkest environment within the game, with subsequent levels becoming progressively brighter and more colorful. The current arrangement of the level incorporates various game elements seamlessly.

The level dimensions are 800x600 pixels, and object sizes range from 14x34 pixels to 96x32 pixels.

Task: The objective was to design a character and create its animation, illustrating key frames for a computer game. The character in question is a fox armed with a pistol.

Task: The task was to create an isometric projection map of a fictional medieval city and its surroundings for a fantasy game.

Displayed here is a scaled-down version of the map (at the top) along with original-sized map fragments. The map's actual dimensions are 19,000 pixels by 10,000 pixels. The map features various buildings and structures described within the game's narrative. These elements are located either within the city, enclosed by fortified walls complete with towers and gates, or beyond the city's boundaries. Examples include the city governor's palace, watchmen's quarters, a bustling market, a grand theater, cozy taverns, hospitable inns, a busy shipyard, a well-equipped hospital, vigilant checkpoints, mage quarters, a productive sawmill, a bustling tannery, a peaceful graveyard, and more.

Task: The task was to create a map in isometric projection for a fantasy game, depicting a medieval fictional city and its environs. The map presented here is a scaled-down version, with the actual dimensions being 19,000 pixels by 10,000 pixels. It showcases various buildings and structures described within the game. These elements are situated either within the city, enclosed by fortified walls featuring towers and gates, or outside the city's boundaries. Notable locations include the city ruler's palace, guard quarters, marketplace, theater, eateries, inns, shipyard, hospital, checkpoints, mage quarters, sawmill, tannery, cemetery, and more. 

Task: The objective was to create a character – a cat designed in a cartoon style. This cat is characterized by its positivity, plump appearance, and intelligence. It sports a master's cap along with a pair of glasses, with the cap also being integrated into the company's logo, symbolizing the character's affiliation with the company.

Furthermore, this character was envisioned to take on various personas, including a sports-oriented cat, a construction-savvy cat, and more. Additionally, the character was to be depicted engaging in diverse activities, such as searching, strolling, and other actions.

It was decided that these characters would be presented in a black-and-white line art style, each standing at approximately 5 cm in height. These images are intended for use both on the website and in print materials.

Task: I had to draw some characters for a collectible card fantasy game (CCF) called Ashentaron: Revival. These are characters that belong to the dark side of the deck - death, black magic. A part of the work with such characters as: Black Knight, Umershchvlenie, Mage Necromancer, Dark Reaper, Zombies, Lich is presented.

The size of each card is 63x88 mm.

Task: The task was to create a treasure hunt map for a children's game. My client provided me with photographs of objects they wished to include on the map, such as playground equipment, clusters of trees, roads, and more. Additionally, maps of the Laguna Beach area in California, USA, were supplied.

Treasure Hunt Maps are designed to pinpoint the locations of hidden treasures or prizes. They are utilized in games with children to craft an engaging search experience. Children follow the map's clues, enhance their navigation skills, solve riddles, and collaborate in groups to locate the hidden treasure or complete tasks indicated on the map.

Typically, these maps are tailored to a specific location or venue where the game is conducted, be it a backyard, park, forest, city, or any other setting. The placement of treasures or prizes on the map typically corresponds to actual locations within that area, heightening the realism and excitement of the search experience for children.

After thoroughly reviewing my client's information, I commenced the task and ultimately created a printable map layout. My client printed the map, and subsequently, his entire family enjoyed numerous entertaining hours playing treasure hunt games alongside their children.

Objective: The task was to design a cover for a teen thriller novel by a renowned American author.

The cover showcases the protagonist of the book, Katie, against a backdrop representing a key location in the story, where a gripping chase unfolds. The setting is the Oregon coast, a notable location in the USA known for its abundance of sea lions in their natural environment.

Furthermore, black-and-white illustrations of the main characters were crafted specifically for this novel, all of which can be found in the portfolio.

Here is one of them.

http://jokermask.ru/categories/view/6#!portfolio_item_142

Displayed is the e-book cover (in a reduced format) designed for distribution on platforms like Amazon.

Assignment: The task involved designing a cover for a thrilling novel written by a renowned American author.

The illustration prominently features the book's protagonist, Doc, placed in the foreground. It also captures the essence of one of the novel's key settings, the St. Simons Island Churchyard.

Furthermore, a series of black-and-white character illustrations for the novel were crafted, all of which can be found in the portfolio.

https://jokermask.ru/categories/view/6#!portfolio_item_142

Presented here is a glimpse of the e-book cover (in a reduced format) tailored for online sales platforms like Amazon.

Objective: The task was to design a cover for a thriller novel by a distinguished American author.

The cover prominently showcases the book's protagonist, Doc, holding a bouquet of flowers in the foreground. In the backdrop, a grand event unfolds, with a group of men toasting to the girl Bianca, who is caught in a gaze with Doc.

Additionally, black-and-white illustrations of the main characters were crafted exclusively for this novel, all of which can be found in the portfolio.

Presented here is one of them.

http://jokermask.ru/categories/view/6#!portfolio_item_142

Shown is the e-book cover (in a reduced format) tailored for sale on Amazon and other platforms.

Objective: The task was to design a cover for a thriller novel by a distinguished American author.

The cover showcases the characters Bianca and Doc from the book. Additionally, the Golden Gate Bridge in San Francisco graces the cover. The novel's narrative spans both America and Europe.

Furthermore, exclusive black-and-white illustrations of the main characters were crafted for this novel, all of which can be explored in the portfolio.

Here is one of them.

http://jokermask.ru/categories/view/6#!portfolio_item_134

Shown is the e-book cover (in a reduced format) tailored for sale on Amazon and other platforms."

Objective: The task was to create a cover for a novella in the fiction genre by a distinguished American author. The cover showcases an Alaskan wolf emerging from a snowy tundra adorned with Canadian pines. Positioned in the center is a dog sled with a woman (the main character). The narrative unfolds in 1898, thus the photograph, fonts, and various elements are stylized to authentically represent that period.

The showcased version is the full cover designed for print, slightly reduced for display. The original format is 6x9 inches (152x228 mm).

Moreover, an e-book cover (1560x2500 pixels) has been crafted for online sales on platforms like Amazon.

Objective: The task involved designing a cover for a non-fiction book written by a distinguished American author. More precisely, the book delves into the art of crafting bestsellers. The version you see represents the final iteration of the cover.

Considering that this book won't be released in print but exclusively in electronic format for e-books, the showcased version is presented in a vertical format with a resolution of 1560x2500 pixels. The book will be marketed for sale on platforms such as Amazon and others.

Locations for a dark fantasy card game. These cards belong to the darker side of the deck, featuring themes of death, black magic, and more. Included in this set are cards like Contaminated Soil, Cemetery, Poisonous Vapors, and Necropolis.

In the context of a handmade crafts master's business card, a specialized illustration portraying a necklace was envisioned. The artwork is meticulously crafted using monochromatic (sepia) graphic techniques.

Assignment: In the context of a medieval fantasy-themed game, the task was to design a set of twenty circular icons, each measuring 65x65 pixels. These icons represent various items, crafts, skills, and more.

Task: The task involved creating an interface with an icon panel for the main page of a fantasy-themed website. The set includes 8 icons, and the remaining panel features buttons for registration, login, and other functionalities, along with fields for entering a username and password.

The showcased icons include "Chronicles of Brokilon," "Forester's Advice," "Brokilon Factories," "Wonders of Brokilon," "Gallery," "Music," "Magic," and "Brokilon Tales."

The icon panel seamlessly integrates with the website's main page. This section represents a portion of the complete work.

Assignment: The task was to create illustrations of the main characters for an American writer's young adult novel. The central character of the story is a 4-year-old girl named Katie, with curly hair, who finds herself in Disneyland, specifically at the Blue Bayou restaurant. Adorning the restaurant's walls are paintings that portray New Orleans and the fictional Cajun country.

To address this challenge, sketches in the noir style were initially proposed. However, the final choice was an illustration in the line art style, as presented here. This style was also used for other illustrations in the same novel.

Task: The task was to create illustrations of the main characters for a young adult novel written by an American author. This character is Lord Leopold, a mysterious figure at the age of 95, who was once remarkably handsome and distinguished, with an unforgettable face. Now he walks with the support of a cane. He is located in the same setting as Katie but from a different perspective. The character is situated in Disneyland, specifically at the Blue Bayou restaurant. Adorning the restaurant's walls are paintings depicting New Orleans and the fictional Cajun country.

The illustration is drawn in a line art style.

Task: A black and white illustration of the main character, a girl named Bianka, was needed for an American writer's thriller novel targeting teenagers (young adult). Bianka plays the role of the protagonist who conducts her own investigation in the story. She is situated in the same location as Katie but viewed from a different angle. The scene is set at Disneyland, specifically in the Blue Bayou restaurant, adorned with paintings depicting New Orleans and the fictional Cajun country.

The illustration is drawn in a line art style.

The task was to create illustrations for a young adult novel by an American author. The main character of the novel is a young man known by the alias Doc. He is described as a detective who wears a cloak and a suit. The setting places the character in Belgium, specifically on the Waterloo field, facing the Lion's Mound.

The artwork is drawn in the style of line art.

Task: The task was to create illustrations for a young adult thriller novel by an American author. The character depicted is Mrs. Baker, an elderly woman and the abductor of the young girl Katie. She is described as having moderately short hair and wearing a business suit. The setting for the illustration is Disneyland, specifically in the Storybook Land Canal Boats location.

The illustration is drawn in the line art style.

Task: The task was to create illustrations of the main characters for a thriller novel aimed at young adults, written by a renowned American author. This character is Harry Fellini, a young man and the brother of Mike Fellini. He plays the role of one of the criminals in the story, and it's known that he has a criminal history.

The setting for this character is the Oregon coast, a well-known location in the USA where you can observe numerous sea lions in their natural environment.

The illustration is drawn in a line art style.

Assignment: This illustration was commissioned for a young adult thriller novel penned by a well-known American author. The task was to create artwork depicting one of the central characters, Mike Fellini, a young man with a criminal history, who plays a significant role in the story. The setting places the character in the Hoh Rainforest within the Olympic National Park in Washington State.

Task: Create a tribal-style logo featuring a black and white, circle-incorporated, stylized monkey for a clothing brand.

Task: The objective was to visually represent one of the Kaizen principles within the context of the Sumi-e technique, a traditional Japanese ink painting method.

Task: Illustrate 12 scenes of bear cubs engaging in various activities for greeting cards. Each card will showcase an illustration of a bear cub accompanied by a title corresponding to the theme of the card. Examples include "Sleep," "Joy," "Friendship," and more.

The card dimensions are 10x15 cm.

All bear cub illustrations are designed to be printable, allowing for easy cutting, affixing to the card, potential embellishment using appliqué or decoupage techniques, and the addition of an original text.

The illustrations are presented here as a set, showcased in a reduced size against a backdrop of a chosen color.

A girl and a cat near the window.

This project was crafted using a conceptual black-and-white render and a textual depiction. Setting: The 1980s, Great Britain. The ambiance is nocturnal, shrouded in fog, set in late autumn—evoking a somber, mystical, and ominous atmosphere. The scene unfolds within the director's office of an abandoned children's camp, untouched for over two decades.

 Objective: Create a flat-style illustration depicting a giraffe with a parrot perched on its head, a hedgehog, and a paper airplane emerging from the tree leaves.

Objective: Design a flat-style illustration for the website with a theme of user blockage. The text will be positioned on the left side. This page is displayed to users who have been blocked from accessing the website.

Objective: Illustrate the July page for a freelancer's calendar. The illustration is crafted in a flat style and is presented in a reduced size. It humorously reflects on the theme of freelancers' freedom and the paradoxical ways in which they may undermine their autonomy.

Task: Create icons for the game sized 128 pixels with an included frame. Each icon portrays a medieval warrior, including a garrison warrior, horseman, pikeman, archer, and swordsman with a two-handed sword.

Task: Create icons on a white or light-gray background representing sets of items from the medieval era for a fantasy-themed game. The icons should range from the lowest to the highest-rated items. Each icon is 60 x 60 pixels in size. A set consists of a series of items associated with a specific profession, progressing from broken to professional. Examples of items include fishing rods for fishermen, axes for lumberjacks, knives for herbalists, baskets for gardeners, pickaxes, and more. Additionally, there are icons for resources such as stacks of logs, pearls, vegetables, and so on.

The assignment involved creating diverse icons, encompassing armor, weaponry, elixirs, magical artifacts, and beyond. What's displayed here represents just a fraction of the entire body of work. All icons adhere to the 48x48 pixel size.

Assignment: I was tasked with creating 6 fantasy icons for the game menu. The game is set in a fantasy genre, and the icons represent key sections of the game (from left to right): Chronicle, FAQ, Crafts, Maps, Guide, NPC.

Task: The task was to create icons for a medieval fantasy-themed game, depicting various armor pieces and items at a 60x60 pixel size. Presented here is a set of icons used to represent empty inventory slots, signifying the absence of armor components, weapons, attire, tools, talismans, and more.

The armor, for example, is categorized as follows:

1. Helmet
2. Breastplate
3. Fauld (a skirt-like piece attached to the breastplate to protect the waist)
4. Spaulder (shoulder guard covering the shoulder joint)
5. Rerebrace (arm protection from the shoulder joint to the elbow, including elbow guards)
6. Vambrace (arm protection from the elbow to the wrist)
7. Gauntlet (gloves)
8. And so forth.

Upon acquiring a new item, the black-and-white icon is replaced with a colored one specifically corresponding to that item. Colored icons are created separately and are not part of this set.

Task: For a city simulator game, the challenge was to conceptualize and illustrate a set of icons featuring characters. The characters depict Italian gangsters. Presented here are 3 character icons, each sized at 110x100 pixels.

Task: Creating an icon in various sizes (512x512 pixels - 128x128 pixels) for an application that interacts with geotags.
The app overlays the flag of the country you're in onto photos taken in that location.

Task: Creating five icons for the game, each sized 60x60 pixels: "rating," "map," "to orbit," "hangar," "forum," and two additional icons sized 40x40 pixels representing active and inactive weapons – laser and missile. All icons are designed in a sci-fi, space-themed style.

Later, other small icons were added, including "credits," "rocket," "fuel," and "armor." These icons are showcased on a dark background here but will be placed in the game interface during gameplay.

Task: The objective was to design icons for a Matching Game. It was decided to craft glossy fruit images with dimensions of 256x256 pixels. Anticipating their use in different sizes within the game, including smaller variants, the approach was to keep them simple and cartoonish.

Here is the finalized set of icons.

A favicon is a 16x16 pixel icon with a transparent or opaque background, utilized as an icon for a website or web page. Presented here is a portion of the favicon collection I crafted for different websites.

Tattoo Wolf

Tattoo Aztec Style

The client turned to me with such a task. She needed to make redesign the existing tattoo, which she did a couple of years ago.
The image of the dragon was chosen as a symbol of flight, power, and freedom. Also, the sign uses the zodiac symbol Taurus, I did not change it. The difficulty of working is the fact that it is impossible to change, namely, it is impossible to remove the already applied tattoo, you can only change the outlines, supplement, add some elements, and make it elegant. In this case, this is a tattoo for a girl, so grace was not in last place.
Below is the final version of the tattoo, which will replace the existing one.

Task: Create a vertical tribal-style pattern. The original image will be utilized at dimensions of 80 by 15 cm (displayed here in a reduced size).

Celtic tattoo

My task was to create a tattoo design on the client's hand, drawing inspiration from Maori art. The presented image is a downsized representation.

Татуировки в стиле "tribal".

Tribal tattoo Beast